"if you consider a woman
less pure after you’ve touched her
maybe you should take a look at your hands"

(Source: anachronica, via susiesantana)

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(Source: ulle69)

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Duggie Fileds, 1976

Duggie Fileds, 1976

(Source: aqqindex, via blue-voids)

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User 632 is an installation that stores the behavior of the people who look at it by monitoring them in return. It wants to know when and how a person passes by or if they stop on the way.

All data is being tracked and displayed publicly. Passers-by are stored as an anonymous number without any hints to their identities. Whoever comes to close to the camera though will be stored with a photograph next to their id.

The installation is made up of three Kinect depth cameras that constantly look for movements which are then reduced to a simple directional line in space. When a visitor enters a specific area, the algorithm is looking for a face. As soon as one is found a countdown appears that shows the time until a photo is taken automatically. At the same time the time a user is in the visible area is stored.

This data (time, path and eventually image) are stored in a database, interpreted and displayed as real-time statistics.

Link

(via 7knotwind)

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Israel: “Color and texture in the Dead Sea,” writes photographer Doron Nissim.

Israel: “Color and texture in the Dead Sea,” writes photographer Doron Nissim.

(Source: naturalsceneries, via sonicteeth)

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Piero Fornasetti’s Iconic  Eye

Piero Fornasetti’s Iconic  Eye

(Source: givemesomesoma, via mudwerks)

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India Mahdavi - The Gallery at Sketch [London, 2014]

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“Chameleon”

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12/27/2012
parallel

12/27/2012

parallel

(via ductility)

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John Baldessari

(Source: fleurlungs, via oneforeverywish)

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Pablo Picasso - Céramiques, Galerie Lucie Weill

Pablo Picasso - Céramiques, Galerie Lucie Weill

(Source: treebystream, via thomortiz)

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(via ulle69)

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glitch run

glitch run

(Source: ulle69)

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kiss

kiss

(Source: ulle69)

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masks and bells

masks and bells

(Source: ulle69)

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